NRK med spesialtilpassede fonter. Viser denne artikkelen med våre gode sammarbeidspartnerer Typetogether og NRK.
The Norwegian public TV station, NRK, commissioned TypeTogether to create a tailored typeface for their new branding based on Leftloft’s LFT Etica. Since LFT Etica had already been established in NRK’s identity program, TypeTogether collaborated with the original designers at Leftloft to accomplish this goal, eventually creating the wide-ranging LFT Etica Sheriff as a result.
POINT OF ORIGIN
NRK wanted to strengthen and improve their brand position. So in 2010 the internal design team at NRK collaborated with the Scandinavian Design Group (SDG) in developing a new visual identity based on NRK’s original vision and values: open, courageous, and trustworthy. This resulted in the circle divided by three lines, strong modern colours, and a contemporary typographic palette with LFT Etica. Over the next few years the typeface gained room within the NRK mother brand and in 2013/14 the need for a complimentary slab typeface arose.
This sturdy slab version of LFT Etica, was to be customised to serve NRK’s identity needs mainly for the News (Nyheter) and Sport channels on the web and TV, and as a broadcasting font. Additionally, the new slab was to be used in the logotype for Nyheter and Sport. Read more about the development here.
One of the initial concerns was the rather generous width of the LFT Etica fonts, so it was decided to test a condensed version which had already been in the beta development stage for retail. After some discussion with the internal design team at NRK and consulting SDG, the chosen starting point fell to LFT Etica Condensed Semi-Bold and LFT Etica Condensed Book.
NRK’s corporate identity using LFT Etica.
The first stage was comprised of three design suggestions within the slab theme. The words Nyheter, Urix, and Ytring, important to NRK, together with a small set of key letters were developed by the original designers of LFT Etica at Leftloft. Given that the role of the slab was complimentary to the original sans, the general stem thickness and vertical proportions were therefore maintained. The three directions differentiate themselves by finer details such as serif construction, terminal shape, and alternate forms of ‘a’ and ‘g’.
All design teams felt that option 3 proposed the best solution for the new brand, appearing more open and friendly than the other two ideas.
Comparison of the three design directions.
Design option 1 details.
Design option 2 details.
Design option 3 details — the direction chosen by the teams.